Baroque Keyboard Workshop in January, 2016: AEMA, as a part of Early Music America, will sponsor a keyboard workshop on Baroque instruments, on Friday, January 29, and Saturday, January 30, 2016.

For printable brochure (PDF format), click here.

For event flyer, click here.

Register on-line (click here)


To download printable registration form (DOC format), click here.
For printable registration form (PDF format), click here.

Open to pianists and harpsichordists of any level of accomplishment, the workshop will provide some area pianists with their first opportunity to play early keyboard music on instruments similar to those which inspired that music.

The workshop, initiated by AEMA member Raisa Isaacs, will be particularly relevant for young pianists who participate regularly in AMTA and other competitions.  “Piano students know very well that any serious musical competition requires a Baroque piece in the program,” says Isaacs.  “Just as Bach’s Well-Tempered Clavier was intended for the harpsichord or clavichord – as opposed to the modern piano – it can be equally revelatory that French Baroque music sounds better on a harpsichord designed after French examples, than on a Flemish-styled instrument.”

Students (and their teachers!) will have a unique opportunity to participate, either as listeners or performers, at the workshop, and have a chance to play on the several instruments that the event will offer:  French, Italian, and Flemish harpsichords, clavichord, and lautenwerck (lute-harpsichord).  The workshop will include presentations on Baroque repertoire for beginner and advanced levels.  Teacher-performers will include renowned professionals and AEMA members David Buice and Daniel Pyle.

The workshop will be held at Peachtree Christian Church in Atlanta.  On Friday evening, January 29, there will be a demonstration of all the featured keyboard instruments, with an opportunity for participants to experience the various keyboards, “hands on”, following the demonstration performances.  Saturday, January 30, will find the instruments in separate locations throughout the church, allowing participants to experience each instrument individually.

AEMA members are invited to join AMTA participants in adding to your understanding and enjoyment of these instruments that are so central to early music!  Watch the Broadside and the AEMA website, in the months ahead, for more information on times and offerings of this event.